Narratives on Ceramics

I would argue that Richard Milette’s object has been influenced by Greek elements to reconstruct its conception. He selected a classic image as his vessel’s decoration. As Liopold L. Foulem describes, “the prototype chosen Milette for this series is true-to-life hydra, generic, stereotypical form used because of perverse association with art museums and, more accurately, the study painting… using faux Greek, pseudo-restored pots and substituting painted narrative originals well-known contemporary easel painting”. His ceramic vase’s shape same ancient vase, but it built many fragments, obvious seam lines. intends highlight damaged pieces, works are keenly collected. believe fine examples postmodern ceramics (not sure if got your meaning right here), even though completely scene, cannot be described narrative.